![]() Debussy, for one, said it resembled a Turkish bathhouse. It was this mixture of styles that brought criticism from some late-19th-century purists. Garnier, an unknown 35-year-old architect when he began work on the theater, diplomatically described it as "Napoleon III style," although it is unlikeĪny other building of the era, with its polychromatic facade showing a strong Italian influence. In truth, the building has not always been universally loved. It looks as good - or as strange - as the day it was inaugurated Of culture, Catherine Tasca, exposing a dozen gilded busts and statues, multicolored marble pillars, delicate mosaics and almost shockingly white stone. ![]() After a 12-month cleaning and restoration, its facade was formally reopened today by the minister Now, long after most Paris museums and monuments have been given face-lifts, the Palais Garnier's turn has finally come. Yet in recent decades, the Palais Garnier, as it is known, has impressed mainly
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